Great Britain
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
FRANCE
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Germany
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Italia
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Albania
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Poland
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Russia
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Slovakia
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Sweden
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
Slovenija
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic
North Macedonia
TEXT UNFOLDING
I do not have Agathon’s glory!
I do not write for the sake of escape
but for reconciliation with the world.
Typically, for each letter
I paid a high price.
But have adroitly arranged
pieces I live on:
the string begins with the book-lined study.
From an alchemist I borrowed
use of the word melancholia
so as to start the search
for the ubiquitous.
Indeed, that rancor should be
set somewhere in the beginning.
So, we are witnessing the text unfolding.
READING remains,
uncommon possibility of surviving.
Translated by Uros Zekovic