Lidija Nikčević: Stanica

Great Britain

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

FRANCE

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Germany

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Italia

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Albania

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Poland

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Russia

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Slovakia

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Sweden

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

Slovenija

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic

North Macedonia

TEXT UNFOLDING

I do not have Agathon’s glory!

I do not write for the sake of escape

but for reconciliation with the world.

Typically, for each letter

I paid a high price.

But have adroitly arranged

pieces I live on:

the string begins with the book-lined study.

 

From an alchemist I borrowed

use of the word melancholia

so as to start the search

for the ubiquitous.

Indeed, that rancor should be

set somewhere in the beginning.

 

So, we are witnessing the text unfolding.

 

READING remains,

uncommon possibility of surviving.

Translated by Uros Zekovic